THE REASON WHY ART HAS NOT FULFILLED ITS PURPOSE, OR, THE REASON WHY ART HAS NOT YET BEEN FULLY LIBERATED, AS A PHENOMENON, OR AS A PRACTICE OF REFLECTION OR AS KNOWLEDGE AND ATTITUDE AND STRATEGY, IS BECAUSE HUMANITY HAS NOT YET UNDERSTOOD THAT WE SHOULD REGARD ART AS SCIENCE, THAT WE MUST UNDERSTAND ART AND RELATE TO ART ALSO FROM A SCIENTIFIC POINT OF VIEW. WHAT IS COLOUR, HOW DOES IT AFFECT US, WHAT IS COMPOSITION, HOW DOES IT AFFECT US, WHAT ARE THE CONSEQUENCES OF CONTRAST, WHY IS EVERY PERCEPTION OF A PHENOMENON INDIVIDUAL AND UNIQUE, WHY CAN'T THINGS BE REPEATED, HOW CAN WE LEARN FROM COMPOSITION AND COLOUR WHEN IT COMES TO ORGANIZING SOCIETY IN A BENEFICIAL WAY, AND SO FORTH. COLOUR ITSELF, THE RESEACH ON COLOUR AS A PHENOMENON, COULD FILL A WHOLE LIBRARY WITH THESISES AND TREATISES AND REFLECTIONS. EVERY COMPOSITION IS UNIQUE, AND CANNOT BE REPEATED, BECAUSE OF LIGHT, THE CHANGES OF LIGHT IN TIME AND SPACE, AND THE PERCEPTION OF EVERY COMPOSITION IS DECIDED BY THE CIRCUMSTANCES OF LIGHT, AND THEREFORE BY CONTRASTS, AND COLOUR, AND COLOUR AND CONTRASTS IS HIGHLY AFFECTED BY THE CONDITIONS THAT CONSTITUTE OR DECIDE THE VARIOUS PHENOMENONS OF LIGHT. A CERTAIN TYPE OF LIGHTING, ON A CERTAIN COMPOSITION OR INSTALLATION, CANNOT BE REPEATED, THE EFFECTS ARE TOO SUBTLE AND ARE NOT POSSIBLE TO CONTROL. NOT EVEN IN A LABORATORY. BECAUSE OF THE PARTICLES AND ATOMS IN SPACE, BETWEEN THE EYE OF THE VIEWER AND THE OBJECT OF STUDY, THINGS CHANGE, ENVIRONMENTS CHANGE, ENVIRONMENTS OF MATTER, OF PARTICLES AND ATOMS AND MOLECULES, SO AN ENVIRONMENT CANNOT BE HELD STILL OR REPEATED. AND YET FUNDAMENTAL LAWS, THE MATHEMATICS OF ART, OR OF PHYSICS, EXIST.

ART AS A DISCIPLINE, AS A PRACTICE OF REFLECTION, AS KNOWLEDGE AND AS SCIENTIFIC RESEARCH AND AS POETIC OR POLITICAL STRATEGY AND AS ATTITUDE, CAN NOT BE FULFILLED OR LIBERATED OR BROUGHT TO THE LIMITS OF ITS POTENTIAL, UNLESS WE DEVELOP OR AT LEAST ACCEPT SOME SORT OF SCIENTIFIC ATTITUDE TOWARDS ART. TO DECIDE WHETHER A CERTAIN WORK IS A WORK OF ART OR NOT, DOES NOT HAVE ANY RELEVANCE ANYMORE, AFTER THE DEATH OF ART, OR, AFTER THE KNOWLEDGE THAT EVERY OBJECT OR PHENOMENON IN THIS WORLD CAN BE SEEN AS ART. IT IS A GOOD THING THAT ART HAS DIED, BECAUSE IT MEANS THAT ART AS A SCIENCE AND AS KNOWLEDGE, FINALLY CAN COME ALIVE. WE CAN START TO SEE THAT THE CONCEPT ITSELF, IN CERTAIN SITUATIONS, IS OF NO IMPORTANCE, WHAT CONSTITUTES THE EFFECTS THAT LEADS US TO OUR CONCEPTS, TO THE CONCEPTS THAT WE DEVELOP AND ATTACH TO, ARE THE STUFF THAT WE SHOULD BE CONCERNED ABOUT. THE UNTITLED OCEAN ITSELF. AND HOW WE CAN DEVELOP OUR ATTITUDE TOWARDS THIS ASPECT. TO MIX SCIENTIFIC AND ARTISTIC ATTITUDE, SO TO SPEAK. TO WAKE UP, IN OTHER WORDS.